| Trivium | |
|---|---|
 Trivium in 2009. | |
| Background information | |
| Origin | Sanford, Florida, USA |
| Genres | Metalcore, thrash metal, heavy metal |
| Years active | 1999-present |
| Labels | Lifeforce, Roadrunner |
| Associated acts | Capharnaum, Mindscar, Metal Militia, The Autumn Offering, Maruta, Roadrunner United |
| Website | www.trivium.org |
| Members | |
| Matt Heafy Corey Beaulieu Paolo Gregoletto Nick Augusto | |
| Past members | |
| Travis Smith Brad Lewter Brent Young | |
Selasa, 21 Desember 2010
Selasa, 07 Desember 2010
Hard rock
Hard rock is a form of loud, aggressive rock music. The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using simple repetitive riffs, and as a solo lead instrument.[1] Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on snare, sometimes using cymbals for emphasis.[2] The bass guitar works in conjunction with the drums, occasionally playing riffs, but usually providing a backing for the rhythm and lead guitars.[3] Vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice.[4] Hard rock has sometimes been labelled cock rock for its emphasis on overt masculinity and sexuality and because it has historically been predominately performed and consumed by men: in the case of its audience, particularly white, working-class adolescents.[2]In the late 1960s the term heavy metal was used interchangeably with hard rock, but gradually began to be used to describe music played with even more volume and intensity.[5] While hard rock maintained a bluesy rock and roll identity, including some swing in the back beat and riffs that tended to outline chord progressions in their hooks, heavy metal's riffs often functioned as stand-alone melodies and had no swing in them.[1][6] Heavy metal took on "darker" characteristics after Black Sabbath's breakthrough in the early 1970s and from the 1980s it developed a number of sub-genres, often termed extreme metal, which were influenced by hardcore punk, and which further differentiated the two styles.[3] Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, or crossing between, the genres.[7]
Origins (1960s)
Blues-rock acts that pioneered the sound included Cream, Jimi Hendrix Experience and The Jeff Beck Group.[1] Cream, in songs like "I Feel Free" (1966) combined blues-rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton.[11] Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll.[12] From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues-rock in the direction of heavy rock with his band, The Jeff Beck Group.[13] Dave Davies of the Kinks, Keith Richards of the Rolling Stones, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion.[14] Even The Beatles attempted to produce songs in the new hard rock style, trying to create a greater level of noise than The Who, from The Beatles (1968) (known as the White Album) onwards, beginning with "Helter Skelter".[15] Some critics have written about its "proto-metal roar",[16] but others have argued that "their attempts at the heavy style were without exception embarrassing".[15]
Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge.[17] The San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their debut album Vincebus Eruptum (1968), that outlined much of the later hard rock and heavy metal sound.[17] The same month, Steppenwolf released its self-titled debut album (1968), including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969).[17] Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.[17]
At the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin, who mixed the music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums Led Zeppelin (1969) and Led Zeppelin II (1969), and Deep Purple, who achieved their commercial breakthrough with their fourth and distinctively heavier album, In Rock (1970). Also significant was Black Sabbath's Paranoid (1970), which combined guitar riffs with dissonance and more explicit references to the occult and elements of Gothic horror.[18] All three of these bands have been seen as pivotal in the development of heavy metal, but where metal further accentuated the intensity of the music, with bands like Judas Priest following Sabbath's lead into territory that was often "darker and more menacing", hard rock tended to continue to remain the more exuberant, good-time music.[1]
[edit] Expansion (1970s)
Emerging British acts included Free, who released their signature song "All Right Now" (1970), which has received extensive radio airplay in both the UK and US.[26] After the breakup of the band in 1973, vocalist Paul Rodgers joined supergroup Bad Company, whose eponymous first album (1974) was an international hit.[27] Scottish band Nazareth released their self-titled début album in 1970, producing a blend of hard rock and pop that would culminate in their best selling, Hair of the Dog (1975), which contained the proto-power ballad "Love Hurts".[27] The mixture of hard rock and progressive rock, evident in the works of Led Zeppelin and Deep Purple, was pursued more directly by bands like Uriah Heep and Argent.[28] Having enjoyed some national success in the early 1970s, Queen, after the release of Sheer Heart Attack (1974) and A Night at the Opera (1975), gained international recognition with a sound that used layered vocals and guitars and mixed hard rock with glam rock, heavy metal, progressive rock, and even opera.[29] The latter featured the single "Bohemian Rhapsody", which stayed at #1 in the UK charts for nine weeks.[30]
Skateboarding can be a recreational activity, an artform, a job, or a method of transportation.[1] Skateboarding has been shaped and influenced by many skateboarders throughout the years. A 2002 report by American Sports Data found that there were 18.5 million skateboarders in the world. 85 percent of skateboarders polled who had used a board in the last year were under the age of 18, and 74 percent were male.[2]
Skateboarding is relatively modern. A key skateboarding maneuver, the ollie, was developed in the late 1970s by Alan "Ollie" Gelfand as a half-pipe maneuver. Freestyle skateboarder Rodney Mullen was the first to take it to flat ground and later invented the kickflip and its variations. [3]
History
The 1940s-1960s
Skateboarding was probably born sometime in the late 1940s or early 1950s when surfers in California wanted something to surf when the waves were flat. No one knows who made the first board, rather, it seems that several people came up with similar ideas at around the same time. These first skateboarders started with wooden boxes or boards with roller skate wheels attached to the bottom. The boxes turned into planks, and eventually companies were producing decks of pressed layers of wood -- similar to the skateboard decks of today. During this time, skateboarding was seen as something to do for fun besides surfing, and was therefore often referred to as "Sidewalk Surfing".
A number of surfing manufacturers such as Makaha started building skateboards that resembled small surfboards, and assembling teams to promote their products. The popularity of skateboarding at this time spawned a national magazine, Skateboarder Magazine, and the 1965 international championships were broadcast on national television. The growth of the sport during this period can also be seen in sales figures for Makaha, which quoted $10 million worth of board sales between 1963 and 1965 (Weyland, 2002:28). Yet by 1966 the sales had dropped significantly (ibid) and Skateboarder Magazine had stopped publication. The popularity of skateboarding dropped and remained low until the early 1970s. [4][5]
The 1970s
In the early 1970s, Frank Nasworthy started to develop a skateboard wheel made of polyurethane, calling his company Cadillac Wheels.[4] The improvement in traction and performance was so immense that from the wheel's release in 1972 the popularity of skateboarding started to rise rapidly again, causing companies to invest more in product development. Nasworthy commissioned artist Jim Evans to do a series of paintings promoting Cadillac Wheels, they were featured as ads and posters in the resurrected Skateborder magazine, and proved immensely popular in promoting the new style of skateboarding. Many companies started to manufacture trucks (axles) specially designed for skateboarding, reached in 1976 by Tracker Trucks. As the equipment became more maneuverable, the decks started to get wider, reaching widths of 10 inches (250 mm) and over, thus giving the skateboarder even more control. Banana board is a term used to describe skateboards made of polypropylene that were skinny, flexible, with ribs on the underside for structural support and very popular during the mid-1970s. They were available in myriad colors, bright yellow probably being the most memorable, hence the name.Manufacturers started to experiment with more exotic composites and metals, like fiberglass and aluminium, but the common skateboards were made of maple plywood. The skateboarders took advantage of the improved handling of their skateboards and started inventing new tricks. Skateboarders, most notably Ty Page, Bruce Logan, Bobby Piercy, Kevin Reed, and the Z-Boys (so-called because of their local Zephyr surf shop) started to skate the vertical walls of swimming pools that were left empty in the 1976 California drought. This started the vert trend in skateboarding. With increased control, vert skaters could skate faster and perform more dangerous tricks, such as slash grinds and frontside/backside airs. This caused liability concerns and increased insurance costs to skatepark owners, and the development (first by Norcon,then more successfully by Rector) of improved knee pads that had a hard sliding cap and strong strapping proved to be too-little-too-late. During this era, the "freestyle" movement in skateboarding began to splinter off and develop into a much more specialized discipline, characterized by the development of a wide assortment of flat-ground tricks.
As a result of the "vert" skating movement, skate parks had to contend with high-liability costs that led to many park closures. In response, vert skaters started making their own ramps, while freestyle skaters continued to evolve their flatland style. Thus by the beginning of the 1980s, skateboarding had once again declined in popularity. [5]
The 1980s
This period was fueled by skateboard companies that were run by skateboarders. The focus was initially on vert ramp skateboarding. The invention of the no-hands aerial (later known as the ollie) by Alan Gelfand in Florida in 1976[6] and the almost parallel development of the grabbed aerial by George Orton and Tony Alva in California made it possible for skaters to perform airs on vertical ramps. While this wave of skateboarding was sparked by commercialized vert ramp skating, a majority of people who skateboarded during this period never rode vert ramps. Because most people could not afford to build vert ramps or did not have access to nearby ramps, street skating gained popularity. Freestyle skating remained healthy throughout this period with pioneers such as Rodney Mullen inventing many of the basic tricks of modern street skating such as the Impossible and the kickflip. The influence freestyle had on street skating became apparent during the mid-eighties, but street skating was still performed on wide vert boards with short noses, slide rails, and large soft wheels. Skateboarding, however, evolved quickly in the late 1980s to accommodate the street skater. Since few skateparks were available to skaters at this time, street skating pushed skaters to seek out shopping centers and public and private property as their "spot" to skate. Public opposition, and the threat of lawsuits, forced businesses and property owners to ban skateboarding on their property.[citation needed] By 1992, only a small fraction of skateboarders remained as a highly technical version of street skating, combined with the decline of vert skating, produced a sport that lacked the mainstream appeal to attract new skaters.The 1990s to the present
The current generation of skateboards is dominated by street skateboarding. Most boards are about 7¼ to 8 inches wide and 30 to 32 inches long. The wheels are made of an extremely hard polyurethane, with hardness (durometer) approximately 99A. The wheel sizes are relatively small so that the boards are lighter, and the wheel's inertia is overcome quicker, thus making tricks more manageable. Board styles have changed dramatically since the 1970s but have remained mostly alike since the mid 1990s. The contemporary shape of the skateboard is derived from the freestyle boards of the 1980s with a largely symmetrical shape and relatively narrow width. This form had become standard by the mid '90s.Go Skateboarding Day was created in 2004 by a group of skateboarding companies to promote skateboarding and help make it more noticeable to the world. It is celebrated every year on June 21st.
Trick skating
Main article: Skateboarding trick
In 1976, skateboarding was transformed by the invention of the ollie by Alan "Ollie" Gelfand. It remained largely a unique Florida trick until the summer of 1978, when Gelfand made his first visit to California. Gelfand and his revolutionary maneuvers caught the attention of the West Coast skaters and the media where it began to spread worldwide. The ollie was adapted to flat ground by Rodney Mullen in 1982. Mullen also invented the "Magic Flip", which was later renamed the kickflip, as well many other tricks including, the 360 Kickflip, which is a 360 pop shove it and a kickflip in the same motion. The flat ground ollie allowed skateboarders to perform tricks in mid-air without any more equipment than the skateboard itself, it has formed the basis of many street skating tricks.
Culture
See also: Skate punk
See also: Punk fashion
Skateboarding was, at first, tied to the culture of surfing. As skateboarding spread across the United States to places unfamiliar with surfing or surfing culture, it developed an image of its own. For example, the classic film short Video Days (1991) portrayed skateboarders as reckless rebels.The image of the skateboarder as a rebellious, non-conforming youth has faded in recent years.[citation needed] Certain cities still oppose the building of skateparks in their neighborhoods, for fear of increased crime and drugs in the area. The rift between the old image of skateboarding and a newer one is quite visible: magazines such as Thrasher portray skateboarding as dirty, rebellious, and still firmly tied to punk, while other publications, Transworld Skateboarding as an example, paint a more diverse and controlled picture of skateboarding. Furthermore, as more professional skaters use hip hop, reggae, or hard rock music accompaniment in their videos, many urban youths, hip-hop fans, reggae fans, and hard rock fans are also drawn to skateboarding, further diluting the sport's punk image.[7][8]
Films such as Grind and Lords Of Dogtown, have helped improve the reputation of skateboarding youth,[citation needed] depicting individuals of this subculture as having a positive outlook on life, prone to poking harmless fun at each other, and engaging in healthy sportsman's competition. According to the film, lack of respect, egotism and hostility towards fellow skateboarders is generally frowned upon, albeit each of the characters (and as such, proxies of the "stereotypical" skateboarder) have a firm disrespect for authority and for rules in general. Group spirit is supposed to heavily influence the members of this community. In presentations of this sort, showcasing of criminal tendencies is absent, and no attempt is made to tie extreme sports to any kind of illegal activity.[citation needed]
Gleaming the Cube, a 1989 movie starring Christian Slater as a skateboarding teen investigating the death of his adopted Vietnamese brother was somewhat of an iconic landmark to the skateboarding genre of the era.[citation needed] Many well-known skaters had cameos in the film, including Tony Hawk.
Skateboarding video games have also become very popular in skateboarding culture.[citation needed] Some of the most popular are the Tony Hawk series, and Skate series for various consoles (Including hand-held) and personal computer.
Skateboarding as a form of transportation
The use of skateboards solely as a form of transportation is often associated with the longboard[citation needed]. Depending on local laws, using skateboards as a form of transportation outside residential areas may or may not be legal. Backers cite portability, exercise, and environmental friendliness as some of the benefits of skateboarding as an alternative to automobiles.Skateboards, along with other small-wheeled transportation such as in-line skates and scooters, suffer a safety caveat where riders may easily be thrown from small cracks and outcroppings in pavement, especially where the cracks run perpendicular to the direction of travel. However, high average travel speeds help mitigate this; injuries are more likely to be minor[citation needed], although very uncommon, head injuries still pose a major health risk.
Miscellaneous
Skateboard ban in Norway
The use, ownership and sale of skateboards were forbidden in Norway, during the period between 1978 and 1989. The ban was said to be due to the perceived high number of injuries caused by boards. The ban led skateboarders to construct ramps in the forest and other secluded areas to avoid the police.[9]
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